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Zeitpunkt              Nutzer    Delta   Tröts        TNR     Titel                     Version  maxTL
Sa 03.08.2024 00:00:00   191.318      -1    9.364.577    48,9 Mastodon                  4.3.0...   500
Fr 02.08.2024 00:00:03   191.319      -1    9.355.247    48,9 Mastodon                  4.3.0...   500
Do 01.08.2024 00:00:07   191.320       0    9.345.588    48,8 Mastodon                  4.3.0...   500
Mi 31.07.2024 00:00:02   191.320      -2    9.336.598    48,8 Mastodon                  4.3.0...   500
Di 30.07.2024 00:00:03   191.322      -8    9.327.492    48,8 Mastodon                  4.3.0...   500
Mo 29.07.2024 00:00:00   191.330      -1    9.318.622    48,7 Mastodon                  4.3.0...   500
So 28.07.2024 00:00:03   191.331       0    9.309.563    48,7 Mastodon                  4.3.0...   500
Sa 27.07.2024 00:00:04   191.331       0    9.300.691    48,6 Mastodon                  4.3.0...   500
Fr 26.07.2024 00:00:03   191.331      -1    9.290.684    48,6 Mastodon                  4.3.0...   500
Do 25.07.2024 00:00:01   191.332       0    9.280.821    48,5 Mastodon                  4.3.0...   500

Sa 03.08.2024 19:19

Reading old Joanna Russ reviews from 1979, as one does, and, basically, inject this stuff into my veins. (The compression of argument! The range of knowledge! The fierceness of engagement! The jokes!)

Another pastiche, youthfully energetic and rather appealing, is Steven Utley’s and Howard Waldrop’s ‘“Black as the Pit from Pole to Pole,”’ which gives Frankenstein’s creature further adventures and a beautiful, blind lady to fall in love with. Without the charm of the borrowings, however (Lovecraft, Henley, Poe, Melville, Symmes, (Mary) Shelley, Edgar Rice Bur- roughs and doubtless others I miss- ed), the story would not make it, and although it’s genuinely enjoy- able to watch the Malaprop Kids excitedly rummaging through The Classics, somebody should’ve warned them against putting ‘‘erst- while’’ and ‘‘displacement activity’’ in the same sentence (except in straight parody) and that ‘‘arcing’’ and ‘‘stomped’’ are not words. There are other screamers, my favorite being ‘‘willing to cope with the basin’s large predators on a moment-to-moment basis.”’ There is also an Expository Lump on p. 91 that should’ve been given to the brontosaur (on p. 82) to eat.

Another pastiche, youthfully energetic and rather appealing, is Steven Utley’s and Howard Waldrop’s ‘“Black as the Pit from Pole to Pole,”’ which gives Frankenstein’s creature further adventures and a beautiful, blind lady to fall in love with. Without the charm of the borrowings, however (Lovecraft, Henley, Poe, Melville, Symmes, (Mary) Shelley, Edgar Rice Bur- roughs and doubtless others I miss- ed), the story would not make it, and although it’s genuinely enjoy- able to watch the Malaprop Kids excitedly rummaging through The Classics, somebody should’ve warned them against putting ‘‘erst- while’’ and ‘‘displacement activity’’ in the same sentence (except in straight parody) and that ‘‘arcing’’ and ‘‘stomped’’ are not words. There are other screamers, my favorite being ‘‘willing to cope with the basin’s large predators on a moment-to-moment basis.”’ There is also an Expository Lump on p. 91 that should’ve been given to the brontosaur (on p. 82) to eat.

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