Zeitpunkt Nutzer Delta Tröts TNR Titel Version maxTL Sa 06.07.2024 00:01:15 11.956 +2 1.012.245 84,7 Mastodon.green 4.2.10 500 Fr 05.07.2024 00:01:16 11.954 -1 1.011.166 84,6 Mastodon.green 4.2.10 500 Do 04.07.2024 00:00:03 11.955 0 1.010.115 84,5 Mastodon.green 4.2.7 500 Mi 03.07.2024 00:02:08 11.955 +1 1.009.286 84,4 Mastodon.green 4.2.7 500 Di 02.07.2024 00:01:47 11.954 0 1.008.302 84,3 Mastodon.green 4.2.7 500 Mo 01.07.2024 00:01:00 11.954 +1 1.007.507 84,3 Mastodon.green 4.2.7 500 So 30.06.2024 00:01:11 11.953 -1 1.006.517 84,2 Mastodon.green 4.2.7 500 Sa 29.06.2024 00:00:01 11.954 -2 1.005.786 84,1 Mastodon.green 4.2.7 500 Fr 28.06.2024 00:00:00 11.956 +2 1.004.866 84,0 Mastodon.green 4.2.7 500 Do 27.06.2024 00:01:23 11.954 0 1.004.135 84,0 Mastodon.green 4.2.7 500
Tarnport (@Tarnport) · 10/2022 · Tröts: 6.890 · Folger: 1.388
Sa 06.07.2024 06:59
Eugène Delacroix. Massacre at Chios watercolor study, ~1822.
This #painting is often dated 1820, which is patently absurd if the subject is true, since the massacre occurred in 1822. I prefer this study to the more famous oil, but both are maybe less important for immediate aesthetics than for how the work drew even more sympathetic public attention to the Greek situation. Moral considerations aside, it is arguably the reason that stereotypical public buildings today look like Greek temples.
A watercolor study for the more famous later oil painting, Massacre at Chios, is showing an exotic and colorful tangle of bodies roughly grouped into two pyramids, a layout much more defined in the final oil version.
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