Zeitpunkt Nutzer Delta Tröts TNR Titel Version maxTL Di 10.09.2024 00:01:04 11.963 0 1.070.375 89,5 Mastodon.green 4.2.10 500 Mo 09.09.2024 00:00:59 11.963 0 1.069.279 89,4 Mastodon.green 4.2.10 500 So 08.09.2024 00:01:21 11.963 0 1.068.021 89,3 Mastodon.green 4.2.10 500 Sa 07.09.2024 00:01:08 11.963 -1 1.067.096 89,2 Mastodon.green 4.2.10 500 Fr 06.09.2024 00:01:11 11.964 0 1.065.926 89,1 Mastodon.green 4.2.10 500 Do 05.09.2024 00:01:10 11.964 0 1.064.915 89,0 Mastodon.green 4.2.10 500 Mi 04.09.2024 00:00:21 11.964 0 1.063.931 88,9 Mastodon.green 4.2.10 500 Di 03.09.2024 00:00:14 11.964 -1 1.062.856 88,8 Mastodon.green 4.2.10 500 Mo 02.09.2024 00:00:13 11.965 0 1.065.443 89,0 Mastodon.green 4.2.10 500 So 01.09.2024 00:00:55 11.965 0 1.064.312 89,0 Mastodon.green 4.2.10 500
Tarnport (@Tarnport) · 10/2022 · Tröts: 9.956 · Folger: 1.481
Di 10.09.2024 08:44
Domenico Beccafumi. The Story of Papirius, ~1525.
Typical of Siena and especially this artist, the scene is dreamy, distorted, not entirely sensical, even hallucinatory. (You see him referenced often in Dalí later.) The title and the narrative are disconcerting, but what interests me most in Beccafumi is his resistance to Mannerism. He was born to peasants and even though he became educated, he continued to do his own bucolic thing, including medieval survivals and dark shadows.
A wide Renaissance-era landscape painting featuring many ruins and architectural elements and telling a narrative in vignettes, but the style is bucolic and idiosyncratic compared to his Mannerist contemporaries
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